Small-batch ceramics and succulents

Welcome to Plume & Pith

Plume & Pith is the name of my home studio and art business. My goal is not only to have a space for my art, but to be able to share that space with other local artists in an area where it can be challenging to find studio and kiln space.

Studio Access

Because my studio is in the basement of my home, studio access is pre-scheduled via my website.

When you schedule a lesson, studio share time, or a pickup/dropoff, the calendar event sent to you via email will contain my phone number and the address of the studio. When you arrive, please text me and I will come around to meet you at the studio door or the front of the house.

You can schedule one-off lessons or studio share time on my website, or you can become a monthly member for more regular access.

Studio Membership

Monthly members schedule lessons and/or studio share time per-hour through a scheduling link that does not require additional payment, or by arranging a recurring weekly or bi-weekly schedule.

All memberships are month-to-month and can be canceled at any time, or can be paused for up to three months for free (such as if you are travelling, but will be back).

I can only accept a limited number of monthly members to ensure that the studio has enough availability to accommodate all members. If the membership option you are interested in is not currently available, please send me an email to be added to the waitlist.

In addition to what is included in the hourly studio share, all monthly memberships include the following:

  • Bisque and glaze firings at 50% off my Kiln Share prices
  • Bi-weekly member meet-and-greets

Student Monthly Membership

A student monthly membership is a great option if you want to take regular recurring lessons. Instead of just throwing, you'll get to work on your pieces through the trimming and decorating stages as well. You'll get:

  • 30lbs of clay per month (reclaim is free)
  • Dedicated shelf storage (one small)
  • Four pre-scheduled one-hour lessons per month
  • Eight hours of self-scheduled studio share time per month
  • 30% off one additional lesson per month, for you or a friend
  • Bisque and Glaze firings are free

Studio Share Monthly Membership

This membership is ideal for an independent potter who does not need lessons, but wants access to the studio to work on their pieces. You can schedule as many hours of studio share time per month as you would like. You'll get:

  • 30lbs of clay per month (reclaim is free)
  • Dedicated shelf storage (one large, one small)
  • Unlimited hours of self-scheduled studio share time per month
  • Two guest passes per month (bring a friend for 1-4hrs, twice)
  • Priority in Bisque and Glaze firings
  • Use of the casting slip and molds

Studio Share Glazy Membership

This limited monthly membership is meant for the scenario where you're making your pieces elsewhere, and you just need to glaze and fire them.

  • Access to all the studio glaze options; no clay or other consumables
  • Temporary shared shelf storage
  • Unlimited hours of self-scheduled studio share time per month (for glazing only)
  • Bisque and glaze firings at 50% off my Kiln Share prices

Clay

I stock several clay bodies as well as casting slip from Standard Clay Company. I always keep the following on hand:

Shrinkage Absorption Description
551 V.P. Porcelain 13.00% 0.30% Very plastic white porcelain. Good for throwing. Does not contain ball clay.
553 Warm Buff 10.50% 1.25% Good clay body for production work. Contains fire clay and fine grog.
563 Creamy White Stoneware 13.50% 2.00% Porcelaneous stoneware body. Good for hand-building and throwing.
266 Umbria 12.50% 1.00% Gives a reduction-like dark brown color in an electric kiln. Smooth and plastic. Good for all techniques. Contains manganese.
WS White Stoneware Slip 13.00% 2.00% A smooth pouring stoneware slip. Releases easily. Excellent for utility ware.

Please refer to the studio share page for the hourly and membership clay allotments.

Monthly members track their clay usage the Clay Log on the bulletin board, which resets every month.

You may not bring your own clay to work with in the studio, though you may bring clay home to work with.

Other Consumables

I have a variety of glazes, underglazes, and decorating supplies available. All these consumables are available for you to use when you book studio time.

You can browse the glaze options online.

Additionally:

  • You may bring your own underglazes and decorating supplies
  • You may bring your own commercial cone 6 glazes
  • Portland Pottery in Braintree is the closest ceramics supply shop. I visit regularly to get supplies for the studio. If you want to place an order and have me pick it up, I am happy to do so.

Firing

Kiln Share

My Kiln Share allows you to drop off your work to be bisque or glaze fired, and you only pay for the space you use.

You may fire any clay or glaze as long as you know the cone it needs to be fired to. I typically bisque fire to cone 04 and glaze fire to cone 6. If you need to fire to a different temperature, you'll be responsible for paying the cost for the full firing since I will be unable to batch other work into the same firing.

If you're not familiar with ceramic firings or cones, but you know what clay and glaze you are working with, I'm happy to help with the details.

Any damage to the kiln shelves will incur a $10 shelf scraping fee per shelf. If your pieces are likely to drip, you're required to provide your own cookies to fire on.

I am not responsible for any work that is deemed unusable/non-sellable from the result of over firing, kiln error, or accidental damage. In the case of a misfire/underfire of the kiln, I will re-fire the work at no additional cost.

Payment will be coordinated after I load the kiln with your pieces so that I can accurately determine how much space they will need during the firing.

Studio Share

If you are a monthly member or scheduling hourly studio time, I will fire your work as you make it, prioritized ahead of kiln share work.

There is a shelving unit beside the kiln which has a Bisque In and Glaze In shelf for you to place your pieces that are ready to be fired.

When placing pieces here, please be careful to not damage other people's work. If something doesn't fit on the shelf, please leave it on your personal shelf until there is room.

After your pieces have been fired, I will return them to your personal shelf, or hold them on one of the shared shelves if there is not room.

Pricing

Firing cost varies depending on whether you are firing pieces through the Kiln Share or Studio Share:

Space Kiln Share Studio Share
Bisque 1 shelf (17in x 17in) $20 $10
Glaze 1 shelf (17in x 17in) $25 $12
Bisque Full Kiln $70 $35
Glaze Full Kiln $85 $42

Storage

If your membership includes dedicated shelf storage, you can use this space to store your work, tools, consumables, etc. You may also bring risers or containers to augment and organize your shelf space however you would like.

Temporary shared shelf space is available for non-members, or for members who run out of space on their dedicated shelves. Please be careful around other people's work when using the shared shelves, and be mindful of the amount of space you are using.

Health & Cleanliness

My general expectation is that you leave the studio at least as clean as you found it. This includes:

  • Wiping down any surface you used
  • Sweeping up trimmings
  • Cleaning and emptying the wheel tray
  • Wiping/Mopping up drips or spills
  • Cleaning used bats
  • Cleaning used tools
  • Put away tools and consumables
  • Empty and clean throwing water buckets
  • Don't leave anything in the sink, except clean empty buckets
  • DO NOT wash anything in the upstairs bathroom, except for relatively clean hands

Air Quality

Clay and glazes contain very fine particles (especially Silica) ranging from 0.5 microns to 10 microns in size and can be harmful to inhale, potentially causing a type of lung fibrosis called Silicosis.

If you are not already familiar, it is worth learning about silicosis and how we can prevent it.

The reality is that making ceramics will always generate some dust, but there are simple steps we can take to reduce that dust to a reliably safe level:

  • Never vaccum up clay or glaze dust
  • Avoid sweeping when possible (prefer mopping)
  • Always use a wet sponges or rags when cleaning surfaces
  • Never trim, carve, or sand bone-dry clay or bisqueware inside the studio
  • Never mix powdered dry ingredients inside the studio
  • Avoid using dry fabrics (rags, aprons) that are caked with dried clay
  • Be mindful of your clothing when leaving the studio; for particularly dirty clothing, consider changing out of your clothes when you arrive home so you do not introduce dry clay or glaze dust into your living space

The studio is equipped with a dehumidifier, HEPA air purifier, and an air quality monitor to help keep the air clean and safe.

The Sink

The sink is located past the kiln and reclaim area. It is equipped with a clay trap, which means it's okay to wash your hands and small amounts of clay down the sink.

In the left side of the sink basin is a blue bucket with a siphon that is used to catch as much clay and other particulate as possible.

Whenever possible, please first wash tools, bats, containers, etc over this bucket before giving them a final rinse into the sink.

Throwing Water

Do not pour throwing water directly down the sink. Throwing water contains a lot of small clay particles that are essential to my reclaim process, and will also quickly clog the clay trap. When you are ready to dispose of your throwing water, please do the following:

  1. Pour off the top 3/4 of water into the siphon bucket in the basin of the sink
  2. Scrape and stir the rest of the throwing water to suspend the clay particles
  3. Pour the remaining throwing water into the liquid reclaim bucket at the reclaim station

Glaze Waste

Do not pour glaze waste directly down the sink. I recommend the following process for managing glaze waste which starts before you begin glazing:

  1. Before you begin glazing, grab an empty blue bucket from the sink area, fill it 1/4 full with water, and bring it with you to the glazing area; this is your "clean water"
  2. As you are glazing, when you need to clean large amounts of dry or liquid glaze off your tools or sponges, rinse most of it off into the permanent bucket labelled "Liquid Glaze" in the glazing area
  3. Subsequently clean your tools and sponges fully in your "clean water" bucket
  4. To dispose of your "clean water" bucket, scrape and stir the bottom to suspend any particulate and then pour the water into the siphon bucket in the sink

Trash

There is a small trash can near the bulletin board which should be used for trash only. Do not dispose of unfired clay or glaze waste in this trash can.

Reclaim

I manually reclaim most of the clay scraps generated by the studio. To make this process go as smoothly as possible, please observe the following locations for your scrap clay:

  • The Lugs/Scraps Bin is located just above the bags of new clay next to the wareboards, and should be used to store any re-usable clay scraps, such as flopped pots that can be easily re-wedged into usable clay
  • The Liquid Reclaim Bucket is located in the reclaim area, and should be used to dispose of water that is heavily laden with clay or slip
  • The Solid Reclaim Bucket is located in the reclaim area, and should be used to dispose of any other unfired clay scraps

Saturation Metallic

PC-1
Silver 5–6 Yes

Great for sculptural work and industrial ware, Saturation Metallic is a satin metallic black glaze that resembles steel and other metals.

Flambé

PC-71
Red 5–6 Yes

Flambé​ is a copper red glaze with tones of purple and blue, that gives the same results in oxidation as a traditional reduction copper glaze. Flambé breaks clear on edges or where thin.

Saturation Gold

PC-2
Gold 5–6 Yes

Saturation Gold has a smooth, satin/matte finish that is a dark gold similar to bronze when fired. Perfect for sculptural work and industrial ware, this glaze could be a unique accent for any work of art.

Sky Celadon

C-21
Blue 5–6 Yes

This 100% mixable celadon glaze is a lively, glossy sky blue that pools and accents textured ware like the ancient glazes it was created to imitate.

Umoja

IF-U
Red 6 No

A favorite glaze from Indigo Fire studio, creates a tarnished green copper effect.

Blue Frost

MS-36
Blue 6 Yes

Matte glaze in the Laguna Cone 5 Moroccan Sand Series.

Turkish Amber

MS-37
Brown 6 Yes

Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.

French Gray

MS-72
Gray 6 Yes

Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.

Brown Slate

MS-231
Brown 6 Yes

Dynasty Gloss Brown Slate from the Dynasty Gloss Colors line.

Lustrous Jade

PC-46
Green 5–6 Yes

Lustrous jade is a glossy, opaque glaze that boasts a soft, even green finish like the gemstone it is named for. This glaze layers well with our other Potter's Choice glazes.

Blue Midnight

PC-12
Blue 5–6 Yes

Blue Midnight is a glossy black glaze that breaks into blue highlights where thick. This glaze is good for textured work and also layers well with other Potter's Choice Glazes.

Ancient Jasper

PC-53
Red 5–6 Yes

Ancient Jasper is a fluid, opaque glaze that transitions from soft black to olive green to rust red as it is applied thicker. This glaze has an active, varied surface by itself and layers with our other Potter's Choice glazes with striking results.

Floating Pink

OF-FP
Pink 6 Yes

A favorite glaze by Old Forge Creations, creates a floating pink effect.

Flux

OF-F
White 6 Yes

A favorite glaze from Old Forge Creations, this glaze is not intended to be used alone. Instead, it can be layered on other glazes sparingly to create a flux drip effect.

Blue Rutile

PC-20
Blue 5–6 Yes

Great for layering and textured work, Blue Rutile is an active, complex glaze that is a flowing blue where thick and breaks brown where thinner. Great for layering and always interesting.

Textured Turquoise

PC-25
Green 5–6 Yes

A subtle turquoise gloss, green-beige where thin, but a beautiful aqua where thick. Great for textured ware and layering with other Potter's Choice glazes.

Floating Rutile

OF-FR
Orange 6 Yes

A favorite glaze from Old Forge Creations, creates a floating rutile effect.

Indigo Float

PC-23
Blue 5–6 Yes

Indigo Float is an intensely blue glaze with a lighter blue surface float. This rich cobalt glaze breaks deep blue where thinner. Great for layering with other potters choice glazes!

Honey Flux

PC-17
White 5–6 Yes

Honey Flux is a creamy color that increases flow when layered over glazes. Opaque honey and cream at Cone 5 that shifts to a beautiful fluid white with honey flecks at Cone 6.​

Indigo Celadon

PC-23×C-21
Blue 5–6 Yes

A base later of Indigo Float, and a top layer of Sky Celadon.

Midnight Celadon

PC-12×C-21
Blue 5–6 Yes

A base layer of Blue Midnight, and a top layer of Sky Celadon.

Midnight Umoja

PC-12×IF-U
Green 6 No

A base layer of Blue Midnight, and a top layer of Umoja.

Midnight Amber

PC-12×MS-37
Blue 6 Yes

A base layer of Blue Midnight, and a top layer of Turkish Amber.

Indigo Frost

PC-23×MS-36
Blue 6 Yes

A base layer of Indigo Float, and a top layer of Blue Frost.

Midnight Gray

PC-12×MS-72
Gray 6 Yes

A base layer of Blue Midnight, and a top layer of French Gray.

Midnight Slate

PC-12×MS-231
Orange 6 Yes

A base layer of Blue Midnight, and a top layer of Brown Slate

Indigo Rutile

PC-23×PC-20
Blue 5–6 Yes

A base layer of Indigo Float, and a top layer of Blue Rutile.

Midnight Flux

PC-12×OF-F
Blue 6 Yes

A base layer of Blue Midnight, and a top layer of Flux.

Indigo Amber

PC-23×MS-37
Blue 6 Yes

A base layer of Indigo Float, and a top layer of Turkish Amber.

Midnight Floating Pink

PC-12×OF-FP
Pink 6 Yes

A base layer of Blue Midnight, and a top layer of Floating Pink.

Midnight Rutile

PC-12×PC-20
Orange 5–6 Yes

A base layer of Blue Midnight, and a top layer of Floating Rutile.

Midnight Metal

PC-12×PC-1
Silver 5–6 Yes

A base layer of Blue Midnight, and a top layer of Saturation Metallic.

Indigo Slate

PC-23×MS-231
Brown 6 Yes

A base later of Indigo Float, and a top layer of Brown Slate.

Midnight Gold

PC-12×PC-2
Gold 5–6 Yes

A base layer of Blue Midnight, and a top layer of Saturation Gold.

Midnight Snowfall

PC-12×PC-20
Blue 5–6 Yes

A base layer of Blue Midnight, and a top layer of Blue Rutile.

Lustrous Turquoise

PC-46×PC-25
Green 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Textured Turquoise.

Midnight Indigo

PC-12×PC-23
Blue 5–6 Yes

A base layer of Blue Midnight, and a top layer of Indigo Float.

Indigo Flux

PC-23×OF-F
Blue 6 Yes

A base layer of Indigo Float, and a top layer of Flux.

Midnight Turquoise

PC-12×PC-25
Blue 5–6 Yes

A base layer of Blue Midnight, and a top layer of Textured Turquoise.

Midnight Jade

PC-12×PC-46
Green 5–6 Yes

A base layer of Blue Midnight, and a top layer of Lustrous Jade.

Indigo Turquoise

PC-23×PC-25
Blue 5–6 Yes

A base layer of Indigo Float, and a top layer of Textured Turquoise.

Midnight Jasper

PC-12×PC-53
Blue 5–6 Yes

A base layer of Blue Midnight, and a top layer of Ancient Jasper.

Indigo Pink

PC-23×OF-FP
Pink 6 Yes

A base layer of Indigo Float, and a top layer of Floating Pink.

Lustrous Amber

PC-46×MS-37
Brown 6 Yes

A base layer of Lustrous Jade, and a top layer of Turkish Amber.

Indigo Rutile

PC-23×OF-FR
Orange 6 Yes

A base layer of Indigo Float, and a top layer of Floating Rutile.

Indigo Jade

PC-23×PC-46
Blue 5–6 Yes

A base layer of Indigo Float, and a top layer of Lustrous Jade.

Indigo Umoja

PC-23×IF-U
Blue 6 No

A base layer of Indigo Float, and a top layer of Umoja.

Indigo Metal

PC-23×PC-1
Blue 5–6 Yes

A base layer of Indigo Float, and a top layer of Saturation Metallic.

Indigo Gold

PC-23×PC-2
Brown 5–6 Yes

A base layer of Indigo Float, and a top layer of Saturation Gold.

Indigo Jasper

PC-23×PC-53
Blue 5–6 Yes

A base layer of Indigo Float, and a top layer of Ancient Jasper.

Indigo Midnight

PC-23×PC-12
Blue 5–6 Yes

A base layer of Indigo Float, and a top layer of Blue Midnight.

Lustrous Pink

PC-46×OF-FP
Red 6 Yes

A base layer of Lustrous Jade, and a top layer of Floating Pink.

Lustrous Celadon

PC-46×C-21
Green 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Sky Celadon.

Lustrous Gray

PC-46×MS-72
Green 6 Yes

A base layer of Lustrous Jade, and a top layer of French Gray.

Lustrous Umoja

PC-46×IF-U
Green 6 No

A base layer of Lustrous Jade, and a top layer of Umoja.

Lustrous Frost

PC-46×MS-36
Blue 6 Yes

A base layer of Lustrous Jade, and a top layer of Blue Frost.

Lustrous Gold

PC-46×PC-2
Silver 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Saturation Gold.

Lustrous Slate

PC-46×MS-231
Yellow 6 Yes

A base layer of Lustrous Jade, and a top layer of Brown Slate.

Lustrous Rutile

PC-46×OF-FR
Yellow 6 Yes

A base layer of Lustrous Jade, and a top layer of Floating Rutile.

Lustrous Flux

PC-46×OF-F
Green 6 Yes

A base layer of Lustrous Jade, and a top layer of Flux.

Lustrous Metal

PC-46×PC-1
Brown 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Saturation Metallic.

Lustrous Rutile

PC-46×PC-20
Yellow 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Blue Rutile.

Lustrous Midnight

PC-46×PC-12
Green 5–6 Yes

Base layer of Lustrous Jade, and a top layer of Blue Midnight.

Lustrous Jasper

PC-46×PC-53
Orange 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Ancient Jasper.

Ancient Celadon

PC-53×C-21
Brown 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Sky Celadon.

Ancient Umoja

PC-53×IF-U
Brown 6 No

A base layer of Ancient Jasper, and a top layer of Umoja.

Ancient Frost

PC-53×MS-36
Yellow 6 Yes

A base layer of Ancient Jasper, and a top layer of Blue Frost.

Ancient Amber

PC-53×MS-37
Brown 6 Yes

A base layer of Ancient Jasper, and a top layer of Turkish Amber.

Ancient Gray

PC-53×MS-72
Brown 6 Yes

A base layer of Ancient Jasper, and a top layer of French Gray.

Ancient Slate

PC-53×MS-231
Brown 6 Yes

A base layer of Ancient Jasper, and a top layer of Brown Slate.

Frost Flambé

MS-36×PC-71
Blue 6 Yes

A base layer of Blue Frost, and a top layer of Flambé.

Ancient Flux

PC-53×OF-F
Brown 6 Yes

A base layer of Ancient Jasper, and a top layer of Flux.

Ancient Pink

PC-53×OF-FP
Brown 6 Yes

A base layer of Ancient Jasper, and a top layer of Floating Pink.

Ancient Rutile

PC-53×OF-FR
Brown 6 Yes

A base layer of Ancient Jasper, and a top layer of Floating Rutile.

Amber Honey

MS-37×PC-17
Brown 6 Yes

A base layer of Turkish Amber, and a top layer of Honey Flux.

Ancient Metal

PC-53×PC-1
Silver 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Saturation Metallic.

Ancient Gold

PC-53×PC-2
Gold 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Saturation Gold.

French Indigo

MS-72×PC-23
Blue 6 Yes

A base layer of French Gray, and a top layer of Indigo Float.

Ancient Midnight

PC-53×PC-12
Blue 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Blue Midnight.

Amber Flambé

MS-37×PC-71
Purple 6 Yes

A base layer of Turkish Amber, and a top layer of Flambé.

Ancient Rutile

PC-53×PC-20
Orange 5–6 Yes

A base layer of Ancient Jasper, and a top layer of BLue Rutile.

Ancient Indigo

PC-53×PC-23
Blue 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Indigo Float.

Ancient Turquoise

PC-53×PC-25
Blue 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Textured Turquoise.

French Celadon

MS-72×C-21
Blue 6 Yes

A base layer of French Gray, and a top layer of Sky Celadon.

Ancient Jade

PC-53×PC-46
Orange 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Lustrous Jade.

Honey Celadon

C-21×PC-17
White 5–6 Yes

A base layer of Sky Celadon, and a top layer of Honey Flux.

Celadon Flambe

C-21×PC-71
Purple 5–6 Yes

A base layer of SKy Celadon, and a top layer of Flambé.

French Umoja

MS-72×IF-U
Green 6 No

A base layer of French Gray, and a top layer of Umoja.

Honey Umoja

IF-U×PC-17
Green 6 No

A base layer of Umoja, and a top layer of Honey Flux.

Umoja Flambé

IF-U×PC-71
Green 6 No

A base layer of Umoja, and a top layer of Flambé.

French Turquoise

MS-72×PC-25
Blue 6 Yes

A base layer of French Gray, and a top layer of Textured Turquoise.

Honey Frost

MS-36×PC-17
Blue 6 Yes

A base layer of Blue Frost, and a top layer of Honey Flux.

French Frost

MS-72×MS-36
Blue 6 Yes

A base layer of French Gray, and a top layer of Blue Frost.

Frosted Slate

MS-231×MS-36
Brown 6 Yes

A base layer of Brown Slate, and a top layer of Blue Frost.

French Amber

MS-72×MS-37
Brown 6 Yes

A base layer of French Gray, and a top layer of Turkish Amber.

French Jade

MS-72×PC-46
Green 6 Yes

A base layer of French Gray, and a top layer of Lustrous Jade.

French Slate

MS-72×MS-231
Brown 6 Yes

A base layer of French Gray, and a top layer of Brown Slate.

French Rutile

MS-72×OF-FR
Gray 6 Yes

A base layer of French Gray, and a top layer of Floating Rutile.

French Midnight

MS-72×PC-12
Black 6 Yes

A base layer of French Gray, and a top layer of Blue Midnight.

French Jasper

MS-72×PC-53
Brown 6 Yes

A base layer of French Gray, and a top layer of Ancient Jasper.

French Blue

MS-72×PC-20
Gray 6 Yes

A base layer of French Gray, and a top later of Blue Rutile.

French Flambé

MS-72×PC-71
Purple 6 Yes

A base layer of French Gray, and a top layer of Flambé.

Amber Slate

MS-231×MS-37
Brown 6 Yes

A base layer of Brown Slate, and a top layer of Turkish Amber.

Slate Celadon

MS-231×C-21
Brown 6 Yes

A base layer of Brown Slate, and a top layer of Sky Celadon.

Umoja Slate

MS-231×IF-U
Green 6 No

A base layer of Brown Slate, and a top layer of Umoja.

Indigo Slate

MS-231×PC-23
Brown 6 Yes

A base layer of Brown Slate, and a top layer of Indigo Float.

Pink Slate

MS-231×OF-FP
Orange 6 Yes

A base layer of Brown Slate, and a top layer of Floating Pink.

Rutile Slate

MS-231×OF-FP
Brown 6 Yes

A base layer of Brown Slate, and a top layer of Floating Pink.

Honey Slate

MS-231×PC-17
White 6 Yes

A base layer of Brown Slate, and a top layer of Honey Flux.

Turquoise Slate

MS-231×PC-25
Brown 6 Yes

A base layer of Brown Slate, and a top layer of Textured Turquoise.

Ancient Slate

MS-231×PC-53
Brown 6 Yes

A base layer of Brown Slate, and a top layer of Ancient Jasper

Lustrous Slate

MS-231×PC-46
Orange 6 Yes

A base layer of Brown Slate, and a top layer of Lustrous Jade.

Flambé Slate

MS-231×PC-71
Blue 6 Yes

A base layer of Brown Slate, and a top layer of Flambé.

Honey Pink

OF-FP×PC-17
Pink 6 Yes

A base layer of Floating Pink, and a top layer of Honey Flux.

Pink Flambé

OF-FP×PC-71
Pink 6 Yes

A base layer of Floating Pink, and a top layer of Flambé.

Honey Rutile

OF-FR×PC-17
Orange 6 Yes

A base layer of Floating Rutile, and a top layer of Honey Flux.

Rutile Flambé

OF-FR×PC-71
Orange 6 Yes

A base layer of Floating Rutile, and a top layer of Flambé.

Midnight Slate

PC-12×MS-231
Brown 6 Yes

A base layer of Blue Midnight, and a top layer of Brown Slate.

Midnight Honey

PC-12×PC-17
Blue 5–6 Yes

A base layer of Blue Midnight, and a top layer of Honey Flux.

Rutile Celadon

PC-20×C-21
Blue 5–6 Yes

A base layer of Blue Rutile, and a top layer of Sky Celadon.

Rutile Umoja

PC-20×IF-U
Green 6 No

A base layer of Blue Rutile, and a top layer of Umoja.

Lustrous Flambé

PC-46×PC-71
Purple 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Flambé.

Rutile Frost

PC-20×MS-36
Brown 6 Yes

A base layer of Blue Rutile, and a top layer of Blue Frost.

Amber Rutile

PC-20×MS-37
Brown 6 Yes

A base layer of Blue Rutile, and a top layer of Turkish Amber.

Rutile Slate

PC-20×MS-231
Brown 6 Yes

A base layer of Blue Rutile, and a top layer of Brown Slate.

Ancient Slate

PC-53×MS-231
Brown 6 Yes

A base layer of Ancient Jasper, and a top layer of Brown Slate.

Rutile Pink

PC-20×OF-FP
Pink 6 Yes

A base layer of Blue Rutile, and a top layer of Floating Pink.

Rutile Sandstorm

PC-20×OF-FR
Orange 6 Yes

A base layer of Blue Rutile, and a top layer of Floating Rutile.

Midnight Rutile

PC-20×PC-12
Blue 5–6 Yes

A base layer of Blue Rutile, and a top layer of Blue Midnight.

Ancient Honey

PC-53×PC-17
Brown 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Honey Flux.

Rutile Honey

PC-20×PC-17
White 5–6 Yes

A base layer of Blue Rutile, and a top layer of Honey Flux.

Rutile Float

PC-20×PC-23
Blue 5–6 Yes

A base layer of Blue Rutile, and a top layer of Indigo Float.

Turquoise Rutile

PC-20×PC-25
Blue 5–6 Yes

A base layer of Blue Rutile, and a top layer of Textured Turquoise.

Ancient Flambé

PC-53×PC-71
Brown 5–6 Yes

A base layer of Ancient Jasper, and a top layer of Flambé.

Lustrous Rutile

PC-20×PC-46
Green 5–6 Yes

A base layer of Blue Rutile, and a top layer of Lustrous Jade.

Ancient Rutile

PC-20×PC-53
Red 5–6 Yes

A base layer of Blue Rutile, and a top layer of Ancient Jasper.

Rutile Flambé

PC-20×PC-71
Purple 5–6 Yes

A base layer of Blue Rutile, and a top layer of Flambé.

Honey Flambé

PC-71×PC-17
Purple 5–6 Yes

A base layer of Flambé, and a top layer of Honey Flux.

Indigo Flambé

PC-23×PC-71
Blue 5–6 Yes

A base layer of Indigo Float, and a top layer of Flambé.

Turquoise Flambé

PC-25×PC-71
Purple 5–6 Yes

A base layer of Textured Turquoise, and a top layer of Flambé.

Lustrous Honey

PC-46×PC-17
Orange 5–6 Yes

A base layer of Lustrous Jade, and a top layer of Honey Flux.