Welcome to Plume & Pith
Plume & Pith is the name of my home studio and art business. My goal is not only to have a space for my art, but to be able to share that space with other local artists in an area where it can be challenging to find studio and kiln space.
Studio Access
Because my studio is in the basement of my home, studio access is pre-scheduled via my website.
When you schedule a lesson, studio share time, or a pickup/dropoff, the calendar event sent to you via email will contain my phone number and the address of the studio. When you arrive, please text me and I will come around to meet you at the studio door or the front of the house.
You can schedule one-off lessons or studio share time on my website, or you can become a monthly member for more regular access.
Studio Membership
Monthly members schedule lessons and/or studio share time per-hour through a scheduling link that does not require additional payment, or by arranging a recurring weekly or bi-weekly schedule.
All memberships are month-to-month and can be canceled at any time, or can be paused for up to three months for free (such as if you are travelling, but will be back).
I can only accept a limited number of monthly members to ensure that the studio has enough availability to accommodate all members. If the membership option you are interested in is not currently available, please send me an email to be added to the waitlist.
In addition to what is included in the hourly studio share, all monthly memberships include the following:
- Bisque and glaze firings at 50% off my Kiln Share prices
- Bi-weekly member meet-and-greets
Student Monthly Membership
A student monthly membership is a great option if you want to take regular recurring lessons. Instead of just throwing, you'll get to work on your pieces through the trimming and decorating stages as well. You'll get:
- 30lbs of clay per month (reclaim is free)
- Dedicated shelf storage (one small)
- Four pre-scheduled one-hour lessons per month
- Eight hours of self-scheduled studio share time per month
- 30% off one additional lesson per month, for you or a friend
- Bisque and Glaze firings are free
Studio Share Monthly Membership
This membership is ideal for an independent potter who does not need lessons, but wants access to the studio to work on their pieces. You can schedule as many hours of studio share time per month as you would like. You'll get:
- 30lbs of clay per month (reclaim is free)
- Dedicated shelf storage (one large, one small)
- Unlimited hours of self-scheduled studio share time per month
- Two guest passes per month (bring a friend for 1-4hrs, twice)
- Priority in Bisque and Glaze firings
- Use of the casting slip and molds
Studio Share Glazy Membership
This limited monthly membership is meant for the scenario where you're making your pieces elsewhere, and you just need to glaze and fire them.
- Access to all the studio glaze options; no clay or other consumables
- Temporary shared shelf storage
- Unlimited hours of self-scheduled studio share time per month (for glazing only)
- Bisque and glaze firings at 50% off my Kiln Share prices
Clay
I stock several clay bodies as well as casting slip from Standard Clay Company. I always keep the following on hand:
Shrinkage | Absorption | Description | |
---|---|---|---|
551 V.P. Porcelain | 13.00% | 0.30% | Very plastic white porcelain. Good for throwing. Does not contain ball clay. |
553 Warm Buff | 10.50% | 1.25% | Good clay body for production work. Contains fire clay and fine grog. |
563 Creamy White Stoneware | 13.50% | 2.00% | Porcelaneous stoneware body. Good for hand-building and throwing. |
266 Umbria | 12.50% | 1.00% | Gives a reduction-like dark brown color in an electric kiln. Smooth and plastic. Good for all techniques. Contains manganese. |
WS White Stoneware Slip | 13.00% | 2.00% | A smooth pouring stoneware slip. Releases easily. Excellent for utility ware. |
Please refer to the studio share page for the hourly and membership clay allotments.
Monthly members track their clay usage the Clay Log on the bulletin board, which resets every month.
You may not bring your own clay to work with in the studio, though you may bring clay home to work with.
Other Consumables
I have a variety of glazes, underglazes, and decorating supplies available. All these consumables are available for you to use when you book studio time.
You can browse the glaze options online.
Additionally:
- You may bring your own underglazes and decorating supplies
- You may bring your own commercial cone 6 glazes
- Portland Pottery in Braintree is the closest ceramics supply shop. I visit regularly to get supplies for the studio. If you want to place an order and have me pick it up, I am happy to do so.
Firing
Kiln Share
My Kiln Share allows you to drop off your work to be bisque or glaze fired, and you only pay for the space you use.
You may fire any clay or glaze as long as you know the cone it needs to be fired to. I typically bisque fire to cone 04 and glaze fire to cone 6. If you need to fire to a different temperature, you'll be responsible for paying the cost for the full firing since I will be unable to batch other work into the same firing.
If you're not familiar with ceramic firings or cones, but you know what clay and glaze you are working with, I'm happy to help with the details.
Any damage to the kiln shelves will incur a $10 shelf scraping fee per shelf. If your pieces are likely to drip, you're required to provide your own cookies to fire on.
I am not responsible for any work that is deemed unusable/non-sellable from the result of over firing, kiln error, or accidental damage. In the case of a misfire/underfire of the kiln, I will re-fire the work at no additional cost.
Payment will be coordinated after I load the kiln with your pieces so that I can accurately determine how much space they will need during the firing.
Studio Share
If you are a monthly member or scheduling hourly studio time, I will fire your work as you make it, prioritized ahead of kiln share work.
There is a shelving unit beside the kiln which has a Bisque In and Glaze In shelf for you to place your pieces that are ready to be fired.
When placing pieces here, please be careful to not damage other people's work. If something doesn't fit on the shelf, please leave it on your personal shelf until there is room.
After your pieces have been fired, I will return them to your personal shelf, or hold them on one of the shared shelves if there is not room.
Pricing
Firing cost varies depending on whether you are firing pieces through the Kiln Share or Studio Share:
Space | Kiln Share | Studio Share |
---|---|---|
Bisque 1 shelf (17in x 17in) | $20 | $10 |
Glaze 1 shelf (17in x 17in) | $25 | $12 |
Bisque Full Kiln | $70 | $35 |
Glaze Full Kiln | $85 | $42 |
Storage
If your membership includes dedicated shelf storage, you can use this space to store your work, tools, consumables, etc. You may also bring risers or containers to augment and organize your shelf space however you would like.
Temporary shared shelf space is available for non-members, or for members who run out of space on their dedicated shelves. Please be careful around other people's work when using the shared shelves, and be mindful of the amount of space you are using.
Health & Cleanliness
My general expectation is that you leave the studio at least as clean as you found it. This includes:
- Wiping down any surface you used
- Sweeping up trimmings
- Cleaning and emptying the wheel tray
- Wiping/Mopping up drips or spills
- Cleaning used bats
- Cleaning used tools
- Put away tools and consumables
- Empty and clean throwing water buckets
- Don't leave anything in the sink, except clean empty buckets
- DO NOT wash anything in the upstairs bathroom, except for relatively clean hands
Air Quality
Clay and glazes contain very fine particles (especially Silica) ranging from 0.5 microns to 10 microns in size and can be harmful to inhale, potentially causing a type of lung fibrosis called Silicosis.
If you are not already familiar, it is worth learning about silicosis and how we can prevent it.
The reality is that making ceramics will always generate some dust, but there are simple steps we can take to reduce that dust to a reliably safe level:
- Never vaccum up clay or glaze dust
- Avoid sweeping when possible (prefer mopping)
- Always use a wet sponges or rags when cleaning surfaces
- Never trim, carve, or sand bone-dry clay or bisqueware inside the studio
- Never mix powdered dry ingredients inside the studio
- Avoid using dry fabrics (rags, aprons) that are caked with dried clay
- Be mindful of your clothing when leaving the studio; for particularly dirty clothing, consider changing out of your clothes when you arrive home so you do not introduce dry clay or glaze dust into your living space
The studio is equipped with a dehumidifier, HEPA air purifier, and an air quality monitor to help keep the air clean and safe.
The Sink
The sink is located past the kiln and reclaim area. It is equipped with a clay trap, which means it's okay to wash your hands and small amounts of clay down the sink.
In the left side of the sink basin is a blue bucket with a siphon that is used to catch as much clay and other particulate as possible.
Whenever possible, please first wash tools, bats, containers, etc over this bucket before giving them a final rinse into the sink.
Throwing Water
Do not pour throwing water directly down the sink. Throwing water contains a lot of small clay particles that are essential to my reclaim process, and will also quickly clog the clay trap. When you are ready to dispose of your throwing water, please do the following:
- Pour off the top 3/4 of water into the siphon bucket in the basin of the sink
- Scrape and stir the rest of the throwing water to suspend the clay particles
- Pour the remaining throwing water into the liquid reclaim bucket at the reclaim station
Glaze Waste
Do not pour glaze waste directly down the sink. I recommend the following process for managing glaze waste which starts before you begin glazing:
- Before you begin glazing, grab an empty blue bucket from the sink area, fill it 1/4 full with water, and bring it with you to the glazing area; this is your "clean water"
- As you are glazing, when you need to clean large amounts of dry or liquid glaze off your tools or sponges, rinse most of it off into the permanent bucket labelled "Liquid Glaze" in the glazing area
- Subsequently clean your tools and sponges fully in your "clean water" bucket
- To dispose of your "clean water" bucket, scrape and stir the bottom to suspend any particulate and then pour the water into the siphon bucket in the sink
Trash
There is a small trash can near the bulletin board which should be used for trash only. Do not dispose of unfired clay or glaze waste in this trash can.
Reclaim
I manually reclaim most of the clay scraps generated by the studio. To make this process go as smoothly as possible, please observe the following locations for your scrap clay:
- The Lugs/Scraps Bin is located just above the bags of new clay next to the wareboards, and should be used to store any re-usable clay scraps, such as flopped pots that can be easily re-wedged into usable clay
- The Liquid Reclaim Bucket is located in the reclaim area, and should be used to dispose of water that is heavily laden with clay or slip
- The Solid Reclaim Bucket is located in the reclaim area, and should be used to dispose of any other unfired clay scraps
Saturation Metallic
PC-1Great for sculptural work and industrial ware, Saturation Metallic is a satin metallic black glaze that resembles steel and other metals.
Flambé
PC-71Flambé is a copper red glaze with tones of purple and blue, that gives the same results in oxidation as a traditional reduction copper glaze. Flambé breaks clear on edges or where thin.
Saturation Gold
PC-2Saturation Gold has a smooth, satin/matte finish that is a dark gold similar to bronze when fired. Perfect for sculptural work and industrial ware, this glaze could be a unique accent for any work of art.
Sky Celadon
C-21This 100% mixable celadon glaze is a lively, glossy sky blue that pools and accents textured ware like the ancient glazes it was created to imitate.
Umoja
IF-UA favorite glaze from Indigo Fire studio, creates a tarnished green copper effect.
Blue Frost
MS-36Matte glaze in the Laguna Cone 5 Moroccan Sand Series.
Turkish Amber
MS-37Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
French Gray
MS-72Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Brown Slate
MS-231Dynasty Gloss Brown Slate from the Dynasty Gloss Colors line.
Lustrous Jade
PC-46Lustrous jade is a glossy, opaque glaze that boasts a soft, even green finish like the gemstone it is named for. This glaze layers well with our other Potter's Choice glazes.
Blue Midnight
PC-12Blue Midnight is a glossy black glaze that breaks into blue highlights where thick. This glaze is good for textured work and also layers well with other Potter's Choice Glazes.
Ancient Jasper
PC-53Ancient Jasper is a fluid, opaque glaze that transitions from soft black to olive green to rust red as it is applied thicker. This glaze has an active, varied surface by itself and layers with our other Potter's Choice glazes with striking results.
Floating Pink
OF-FPA favorite glaze by Old Forge Creations, creates a floating pink effect.
Flux
OF-FA favorite glaze from Old Forge Creations, this glaze is not intended to be used alone. Instead, it can be layered on other glazes sparingly to create a flux drip effect.
Blue Rutile
PC-20Great for layering and textured work, Blue Rutile is an active, complex glaze that is a flowing blue where thick and breaks brown where thinner. Great for layering and always interesting.
Textured Turquoise
PC-25A subtle turquoise gloss, green-beige where thin, but a beautiful aqua where thick. Great for textured ware and layering with other Potter's Choice glazes.
Floating Rutile
OF-FRA favorite glaze from Old Forge Creations, creates a floating rutile effect.
Indigo Float
PC-23Indigo Float is an intensely blue glaze with a lighter blue surface float. This rich cobalt glaze breaks deep blue where thinner. Great for layering with other potters choice glazes!
Honey Flux
PC-17Honey Flux is a creamy color that increases flow when layered over glazes. Opaque honey and cream at Cone 5 that shifts to a beautiful fluid white with honey flecks at Cone 6.
Indigo Celadon
PC-23×C-21A base later of Indigo Float, and a top layer of Sky Celadon.
Midnight Celadon
PC-12×C-21A base layer of Blue Midnight, and a top layer of Sky Celadon.
Midnight Umoja
PC-12×IF-UA base layer of Blue Midnight, and a top layer of Umoja.
Midnight Amber
PC-12×MS-37A base layer of Blue Midnight, and a top layer of Turkish Amber.
Indigo Frost
PC-23×MS-36A base layer of Indigo Float, and a top layer of Blue Frost.
Midnight Gray
PC-12×MS-72A base layer of Blue Midnight, and a top layer of French Gray.
Midnight Slate
PC-12×MS-231A base layer of Blue Midnight, and a top layer of Brown Slate
Indigo Rutile
PC-23×PC-20A base layer of Indigo Float, and a top layer of Blue Rutile.
Midnight Flux
PC-12×OF-FA base layer of Blue Midnight, and a top layer of Flux.
Indigo Amber
PC-23×MS-37A base layer of Indigo Float, and a top layer of Turkish Amber.
Midnight Floating Pink
PC-12×OF-FPA base layer of Blue Midnight, and a top layer of Floating Pink.
Midnight Rutile
PC-12×PC-20A base layer of Blue Midnight, and a top layer of Floating Rutile.
Midnight Metal
PC-12×PC-1A base layer of Blue Midnight, and a top layer of Saturation Metallic.
Indigo Slate
PC-23×MS-231A base later of Indigo Float, and a top layer of Brown Slate.
Midnight Gold
PC-12×PC-2A base layer of Blue Midnight, and a top layer of Saturation Gold.
Midnight Snowfall
PC-12×PC-20A base layer of Blue Midnight, and a top layer of Blue Rutile.
Lustrous Turquoise
PC-46×PC-25A base layer of Lustrous Jade, and a top layer of Textured Turquoise.
Midnight Indigo
PC-12×PC-23A base layer of Blue Midnight, and a top layer of Indigo Float.
Indigo Flux
PC-23×OF-FA base layer of Indigo Float, and a top layer of Flux.
Midnight Turquoise
PC-12×PC-25A base layer of Blue Midnight, and a top layer of Textured Turquoise.
Midnight Jade
PC-12×PC-46A base layer of Blue Midnight, and a top layer of Lustrous Jade.
Indigo Turquoise
PC-23×PC-25A base layer of Indigo Float, and a top layer of Textured Turquoise.
Midnight Jasper
PC-12×PC-53A base layer of Blue Midnight, and a top layer of Ancient Jasper.
Indigo Pink
PC-23×OF-FPA base layer of Indigo Float, and a top layer of Floating Pink.
Lustrous Amber
PC-46×MS-37A base layer of Lustrous Jade, and a top layer of Turkish Amber.
Indigo Rutile
PC-23×OF-FRA base layer of Indigo Float, and a top layer of Floating Rutile.
Indigo Jade
PC-23×PC-46A base layer of Indigo Float, and a top layer of Lustrous Jade.
Indigo Umoja
PC-23×IF-UA base layer of Indigo Float, and a top layer of Umoja.
Indigo Metal
PC-23×PC-1A base layer of Indigo Float, and a top layer of Saturation Metallic.
Indigo Gold
PC-23×PC-2A base layer of Indigo Float, and a top layer of Saturation Gold.
Indigo Jasper
PC-23×PC-53A base layer of Indigo Float, and a top layer of Ancient Jasper.
Indigo Midnight
PC-23×PC-12A base layer of Indigo Float, and a top layer of Blue Midnight.
Lustrous Pink
PC-46×OF-FPA base layer of Lustrous Jade, and a top layer of Floating Pink.
Lustrous Celadon
PC-46×C-21A base layer of Lustrous Jade, and a top layer of Sky Celadon.
Lustrous Gray
PC-46×MS-72A base layer of Lustrous Jade, and a top layer of French Gray.
Lustrous Umoja
PC-46×IF-UA base layer of Lustrous Jade, and a top layer of Umoja.
Lustrous Frost
PC-46×MS-36A base layer of Lustrous Jade, and a top layer of Blue Frost.
Lustrous Gold
PC-46×PC-2A base layer of Lustrous Jade, and a top layer of Saturation Gold.
Lustrous Slate
PC-46×MS-231A base layer of Lustrous Jade, and a top layer of Brown Slate.
Lustrous Rutile
PC-46×OF-FRA base layer of Lustrous Jade, and a top layer of Floating Rutile.
Lustrous Flux
PC-46×OF-FA base layer of Lustrous Jade, and a top layer of Flux.
Lustrous Metal
PC-46×PC-1A base layer of Lustrous Jade, and a top layer of Saturation Metallic.
Lustrous Rutile
PC-46×PC-20A base layer of Lustrous Jade, and a top layer of Blue Rutile.
Lustrous Midnight
PC-46×PC-12Base layer of Lustrous Jade, and a top layer of Blue Midnight.
Lustrous Jasper
PC-46×PC-53A base layer of Lustrous Jade, and a top layer of Ancient Jasper.
Ancient Celadon
PC-53×C-21A base layer of Ancient Jasper, and a top layer of Sky Celadon.
Ancient Umoja
PC-53×IF-UA base layer of Ancient Jasper, and a top layer of Umoja.
Ancient Frost
PC-53×MS-36A base layer of Ancient Jasper, and a top layer of Blue Frost.
Ancient Amber
PC-53×MS-37A base layer of Ancient Jasper, and a top layer of Turkish Amber.
Ancient Gray
PC-53×MS-72A base layer of Ancient Jasper, and a top layer of French Gray.
Ancient Slate
PC-53×MS-231A base layer of Ancient Jasper, and a top layer of Brown Slate.
Frost Flambé
MS-36×PC-71A base layer of Blue Frost, and a top layer of Flambé.
Ancient Flux
PC-53×OF-FA base layer of Ancient Jasper, and a top layer of Flux.
Ancient Pink
PC-53×OF-FPA base layer of Ancient Jasper, and a top layer of Floating Pink.
Ancient Rutile
PC-53×OF-FRA base layer of Ancient Jasper, and a top layer of Floating Rutile.
Amber Honey
MS-37×PC-17A base layer of Turkish Amber, and a top layer of Honey Flux.
Ancient Metal
PC-53×PC-1A base layer of Ancient Jasper, and a top layer of Saturation Metallic.
Ancient Gold
PC-53×PC-2A base layer of Ancient Jasper, and a top layer of Saturation Gold.
French Indigo
MS-72×PC-23A base layer of French Gray, and a top layer of Indigo Float.
Ancient Midnight
PC-53×PC-12A base layer of Ancient Jasper, and a top layer of Blue Midnight.
Amber Flambé
MS-37×PC-71A base layer of Turkish Amber, and a top layer of Flambé.
Ancient Rutile
PC-53×PC-20A base layer of Ancient Jasper, and a top layer of BLue Rutile.
Ancient Indigo
PC-53×PC-23A base layer of Ancient Jasper, and a top layer of Indigo Float.
Ancient Turquoise
PC-53×PC-25A base layer of Ancient Jasper, and a top layer of Textured Turquoise.
French Celadon
MS-72×C-21A base layer of French Gray, and a top layer of Sky Celadon.
Ancient Jade
PC-53×PC-46A base layer of Ancient Jasper, and a top layer of Lustrous Jade.
Honey Celadon
C-21×PC-17A base layer of Sky Celadon, and a top layer of Honey Flux.
Celadon Flambe
C-21×PC-71A base layer of SKy Celadon, and a top layer of Flambé.
French Umoja
MS-72×IF-UA base layer of French Gray, and a top layer of Umoja.
Honey Umoja
IF-U×PC-17A base layer of Umoja, and a top layer of Honey Flux.
Umoja Flambé
IF-U×PC-71A base layer of Umoja, and a top layer of Flambé.
French Turquoise
MS-72×PC-25A base layer of French Gray, and a top layer of Textured Turquoise.
Honey Frost
MS-36×PC-17A base layer of Blue Frost, and a top layer of Honey Flux.
French Frost
MS-72×MS-36A base layer of French Gray, and a top layer of Blue Frost.
Frosted Slate
MS-231×MS-36A base layer of Brown Slate, and a top layer of Blue Frost.
French Amber
MS-72×MS-37A base layer of French Gray, and a top layer of Turkish Amber.
French Jade
MS-72×PC-46A base layer of French Gray, and a top layer of Lustrous Jade.
French Slate
MS-72×MS-231A base layer of French Gray, and a top layer of Brown Slate.
French Rutile
MS-72×OF-FRA base layer of French Gray, and a top layer of Floating Rutile.
French Midnight
MS-72×PC-12A base layer of French Gray, and a top layer of Blue Midnight.
French Jasper
MS-72×PC-53A base layer of French Gray, and a top layer of Ancient Jasper.
French Blue
MS-72×PC-20A base layer of French Gray, and a top later of Blue Rutile.
French Flambé
MS-72×PC-71A base layer of French Gray, and a top layer of Flambé.
Amber Slate
MS-231×MS-37A base layer of Brown Slate, and a top layer of Turkish Amber.
Slate Celadon
MS-231×C-21A base layer of Brown Slate, and a top layer of Sky Celadon.
Umoja Slate
MS-231×IF-UA base layer of Brown Slate, and a top layer of Umoja.
Indigo Slate
MS-231×PC-23A base layer of Brown Slate, and a top layer of Indigo Float.
Pink Slate
MS-231×OF-FPA base layer of Brown Slate, and a top layer of Floating Pink.
Rutile Slate
MS-231×OF-FPA base layer of Brown Slate, and a top layer of Floating Pink.
Honey Slate
MS-231×PC-17A base layer of Brown Slate, and a top layer of Honey Flux.
Turquoise Slate
MS-231×PC-25A base layer of Brown Slate, and a top layer of Textured Turquoise.
Ancient Slate
MS-231×PC-53A base layer of Brown Slate, and a top layer of Ancient Jasper
Lustrous Slate
MS-231×PC-46A base layer of Brown Slate, and a top layer of Lustrous Jade.
Flambé Slate
MS-231×PC-71A base layer of Brown Slate, and a top layer of Flambé.
Honey Pink
OF-FP×PC-17A base layer of Floating Pink, and a top layer of Honey Flux.
Pink Flambé
OF-FP×PC-71A base layer of Floating Pink, and a top layer of Flambé.
Honey Rutile
OF-FR×PC-17A base layer of Floating Rutile, and a top layer of Honey Flux.
Rutile Flambé
OF-FR×PC-71A base layer of Floating Rutile, and a top layer of Flambé.
Midnight Slate
PC-12×MS-231A base layer of Blue Midnight, and a top layer of Brown Slate.
Midnight Honey
PC-12×PC-17A base layer of Blue Midnight, and a top layer of Honey Flux.
Rutile Celadon
PC-20×C-21A base layer of Blue Rutile, and a top layer of Sky Celadon.
Rutile Umoja
PC-20×IF-UA base layer of Blue Rutile, and a top layer of Umoja.
Lustrous Flambé
PC-46×PC-71A base layer of Lustrous Jade, and a top layer of Flambé.
Rutile Frost
PC-20×MS-36A base layer of Blue Rutile, and a top layer of Blue Frost.
Amber Rutile
PC-20×MS-37A base layer of Blue Rutile, and a top layer of Turkish Amber.
Rutile Slate
PC-20×MS-231A base layer of Blue Rutile, and a top layer of Brown Slate.
Ancient Slate
PC-53×MS-231A base layer of Ancient Jasper, and a top layer of Brown Slate.
Rutile Pink
PC-20×OF-FPA base layer of Blue Rutile, and a top layer of Floating Pink.
Rutile Sandstorm
PC-20×OF-FRA base layer of Blue Rutile, and a top layer of Floating Rutile.
Midnight Rutile
PC-20×PC-12A base layer of Blue Rutile, and a top layer of Blue Midnight.
Ancient Honey
PC-53×PC-17A base layer of Ancient Jasper, and a top layer of Honey Flux.
Rutile Honey
PC-20×PC-17A base layer of Blue Rutile, and a top layer of Honey Flux.
Rutile Float
PC-20×PC-23A base layer of Blue Rutile, and a top layer of Indigo Float.
Turquoise Rutile
PC-20×PC-25A base layer of Blue Rutile, and a top layer of Textured Turquoise.
Ancient Flambé
PC-53×PC-71A base layer of Ancient Jasper, and a top layer of Flambé.
Lustrous Rutile
PC-20×PC-46A base layer of Blue Rutile, and a top layer of Lustrous Jade.
Ancient Rutile
PC-20×PC-53A base layer of Blue Rutile, and a top layer of Ancient Jasper.
Rutile Flambé
PC-20×PC-71A base layer of Blue Rutile, and a top layer of Flambé.
Honey Flambé
PC-71×PC-17A base layer of Flambé, and a top layer of Honey Flux.
Indigo Flambé
PC-23×PC-71A base layer of Indigo Float, and a top layer of Flambé.
Turquoise Flambé
PC-25×PC-71A base layer of Textured Turquoise, and a top layer of Flambé.
Lustrous Honey
PC-46×PC-17A base layer of Lustrous Jade, and a top layer of Honey Flux.
Beginner Throwing Videos:
- How to Center Clay
- How to Cone Clay on the Wheel
- How to Open Up Centered Clay
- How to Pull Up The Walls of a Pot
- How to Lift Pots Off the Wheel
Intermediate Throwing Videos:
Beginner Trimming Videos
Beginner Glazing & Decorating:
- How to Glaze and Tidy Pots
- 8 Ways to Apply Glaze
- A Beginner's Guide to Underglaze
- How to Use Wax Resist
- How to Set Yourself Up for Successful Clay Carving
- 10 Tips for Carving Pottery